Ted Chiang writes only a few stories per year at best, but many of them win awards. I mention him to most anyone and the response ranges from admiration to out and out idolization. I’ve never heard anyone speak of disliking his stories. Often people openly idolize him. I will read any story of his. He’s really quite good.

The Lifecycle of Software Objects is his longest work yet, published as a standalone hardcover novella by Subterranean Press. It’s a gorgeous edition. Simple but evocative cover. The occasional interior illustration similar to the cover. The maps that precede each chapter are gorgeous. I should also mention that the type design and layout are among the cleanest I’ve ever seen. Very easy on the eyes for reading. They’ll likely be sold out of the book by the end of the month, and I have no idea if there are plans to print another run. If you are at all interested, go buy a copy now.

Chiang’s stories tend to be idea stories infused with realistic personalities, though not driven by them. The Lifecycle of Software Objects promotes the idea that artificial intelligence can only be created through the use of genetic programming algorithms with lots and lots of training. For those not familiar with the term, genetic programming is a kind of computer design that incorporates feedback loops into how it works. Standard programming figures out how something should be done and then programs the computer to do it. Genetic algorithms have the software start off at a reasonable point. After that the software will repeat what it does making small changes each time, getting feedback whether it’s successful or not. For example, the following video shows a robot learning how to flip pancakes with this kind of software.

In the novella, two employees of a software company that makes A.I.s for virtual worlds (e.g., Second Life) struggle with raising the programs they’ve adopted, called digients. At the beginning, they aren’t very bright. They get smarter through interaction with people in the virtual worlds, but at a pace that isn’t much faster than actual people. They aren’t exactly people though. They react differently. They have different motivations and constraints. And digients can’t really be let to run in their own virtual world by themselves. That’s essentially a closed system where they can’t really learn from each other. They need new experiences that can only come from interacting with real people.

So what does that life look like? From creation to adolescence (of a sort), the two employees raise the digients, dealing both with some expected pitfalls as well as interesting philosophical questions. For instance, when is an artificial intelligence ready to move out on its own?

One thing that’s really clear to me is that this story really benefits from Chiang’s involvement working in the software industry. The narrative is infused with little details (and key plot points) that would be extremely hard to write realistically without having 20 years experience in the field. Much like like A.I., stories written about A.I. work much much better when they incorporate actual software development experience. I don’t think I’ve ever seen fiction about the software development business be so spot on.

I’m still not quite sure where I’d rank this compared to other Ted Chiang stories. That’s partially because I have enough of a background in programming that the A.I. ideas as well as the philosophy isn’t particularly new to me. Chiang still makes me think, though. Irrespective of it’s place in the Chiang oeuvre, The Lifecycle of Software Objects deserves year’s best consideration.

Other blogged reviews:

• Damien G. Walter

Title: The Lifecycle of Software Objects
Author: Ted Chiang
Cover creator: Christian Pierce (artist) / Jacob McMurray (designer)
Imprint / publisher: Subterranean Press
Format: Hardcover
Length: 150 p.
Publication date: August 2010
ISBN-13: 978-1-59606-317-4

I picked this book up at the dealers room at Wiscon 33 last weekend. I’m not particularly familiar with slipstream, though I’d read one story that appeared in this anthology. But I had such a nice chat with M. Rickert so I decided I would see what this was all about, since one of her stories appears. Verdict: overall probably not my thing. I really liked some of the stories. Some of the ones that didn’t work for me really didn’t work for me. When a story is trying to mess with me, it better succeed well or I’m just gonna be irritable.

Editors James Patrick Kelly and John Kessel start with an introduction trying to explain slipstream. Not define it, exactly, though. It’s an extended musing on the definition, as as it exists, it’s history, whether it should be defined, and the pitfalls of including particular stories for this undefined thing. Throughout the book they’ve also reprinted a series of comments made on David Moles blog regarding what slipstream’s definition. The end result really isn’t a definition any more than Bruce Sterling’s original essay was. Conclusion: hey, there’s some weird fiction out there that has some common elements that we like.

Al by Carol Emshwiller

The first story in the anthology didn’t work for me at all. According to the introduction, it’s sort of a mashup of Lost Horizon and a satire of the New York City art scene. Al crash lands in a different culture and tries to become part of it. That different culture is, in this case, an artist commune of some sort. Not having any connection to any of the pieces, it seemed strange for strangeness sake to me.

The Little Magic Shop by Bruce Sterling

Very cool little story about a fellow who comes back to a magic shop every decade or two to get a magic elixir that returns him to his youth in exchange for everything he possesses.

The Healer by Aimee Bender

Another really good story. Two school girls, one with a hand of fire, one with a hand of ice. The water from the second girl’s ice can heal. But can it heal the unstable fire girl?

The Specialist’s Hat by Kelly Link

A ghost story. I’ve read this story before, and liked it then. My opinion hasn’t changed on re-reading it. When I went back and read what I wrote way back when though, I said something that I probably should have paid attention to. Overall, I wouldn’t read her again, even though I liked half the stories. Just too much trouble. I just bought Magic for Beginners in the Small Beer Press sale, so I might end up not liking it. For $1 though, you can’t really go wrong.

Light and the Sufferer by Jonathan Lethem

Mysterious aliens follow people who have drug habits. Another great story.

Sea Oak by George Saunders

Another awesome story! Absurdist science fiction fantasy crossover. Aunt Bernie comes back from the dead a little more assertive than she was when she was alive. Great bit is a faux T.V. show called The Worst That Could Happen which takes unlikely but possible tragedies and simulates them. A kid gets hit by a train and flies into a zoo, where he’s eaten by wolves. Brilliant!

Exhibit H: Torn Pages Discovered in the Vest Pocket of an Unidentified Tourist by Jeff VanderMeer

This is one of the ones that didn’t work for me at all. Shades of H. G. Wells The Time Machine with stratified garbage workers.

Hell Is the Absence of God by Ted Chiang

I wonder if there’s a Ted Chiang story that I don’t like. This one I loved. It’s simple in structure, but thought-provoking. Two big tenets of Christianity don’t have to be taken on faith in this story: god exists and manifests himself all over the place, and hell is the afterlife whose primary feature is being cut off from god. God and angels still are mysterious. They do things for strange reasons. Angels show up randomly, curing some and afflicting others. Neil Fisk’s wife is killed in one of these appearances and ascends to heaven. Neil wants to love god so he can be with his wife in heaven when he dies, but he also hates god for taking her from him. Quite the dilemma!

Lieserl by Karen Joy Fowler

Einstein’s daughter? I think … ? That absence of sound you hear is the vacuum inside my head.

Bright Morning by Jeffrey Ford

Decent but fairly unmoving story about a writer who searches for a lost Franz Kafka story only to have the writer Jeffrey Ford outbid him for it at auction. It kind of pulls a Memento like trick though, in that the gimmick really felt like a gimmick. Clever for cleverness sake.

Biographical Notes to A Discourse on the Nature of Causality, with Air-Planes by Benjamin Rosenbaum by Benjamin Rosenbaum

This story tries to pull a similar self-referential trick, but to my mind, the story worked better. Not because of the gimmick though. It’s just a bit more fun is all.

The God of Dark Laughter by Michael Chabon

The second story that I’d previously read. Still like it.

The Rose in Twelve Petals by Theodora Goss

Kind of a re-telling/take-off of Sleeping Beauty with a bit of alternative history. I like it, and I may like it more on a re-reading. It has that kind of feel to it.

The Lions Are Asleep This Night by Howard Waldrop

An alternative history story where a kid in Africa saves his lunch money to buy cheap books and wants to write his own. Alternative history because Europe and America aren’t dominant (and might not ever have been). I liked it, but that’s the book geek in me identifying with the book geek in the kid.

You Have Never Been Here by M. Rickert

This is the reason why I bought the anthology. As the introduction to the book states, it’s very haunting. It’s second person, in a hospital. The doctors are doing something, perhaps conducting an experiment, but perhaps doing something else. They want you to love. It’s confusing. But in spite of the fact that I don’t know what the hell is going on, I liked the story. It works like I wish poetry did for me, mostly by setting a mood and instilling feeling.

Other blogged reviews:

• Everything Is Nice

Title: Feeling Very Strange: The Slipstream Anthology
Editors: James Patrick Kelly, John Kessel
Cover creator: Isabelle Rosenbaum (photographer)
Imprint / publisher: Tachyon
Format: Paperback
Length: 288 p.
Publication date: 2006
ISBN-10: 1-892391-35-X
ISBN-13: 978-1-892391-35-3

Of all the Year’s Best S.F. collection’s by Gardner Dozois, this one might be my favorite so far. There weren’t any stories that just blew me away, but there were only a couple I hated and I quite liked quite a bit. Best stories: Bears Discover Fire, Tower of Babylon, and Learning to Be Me. And now thoughts on the stories…

Mr. Boy, James Patrick Kelly

There’s nothing in this story about genetic manipulation/body modification that I haven’t read before. But it’s still really really good. Mr. Boy is the assumed named of Peter Cage, a 25 year old boy. He’s been genetically modified to stay the age of 13, and acts that age. His mom is a ¾ scale statue of liberty. Being rich, they can do all this. And then he meets Treemonisha Joplin, whose family isn’t rich. She wants in, and Mr. Boy increasingly wants out. It was really easy to get in to the character of Mr. Boy, despite the strangeness.

The Shobies’ Story, Ursula K. Le Guin

Uh. Okay. I think this is about some sort of new instantaneous space travel that ends up requiring those who do the traveling to believe in it. Or something.

The Caress, Greg Egan

Performance art gone bad. Evil genius genetically creates human/animal hybrids to mimic paintings he’s seen. And more. Very twisted. Pretty good. I especially liked the ending, where the victim doesn’t feel anger.

A Braver Thing, Charles Sheffield

Good story about a physicist who wins the Nobel Prize. This is his first-person account of how he made the discovery. Only tangentially science fiction. The meat of the story could take place at any time.

We See Things Differently, Bruce Sterling

Since this story first saw publication, not a whole lot has changed. In fact the story seems even more relevant, even if the time line in the story places the plot nearly a decade ago. U.S. and Russia in decline. The Arab world ascendant. It’s been unified into a caliphate, and although it’s clearly won the cultural battle there’s still resentment against the U.S. An Arab journalist travels to the U.S. to cover a patriotic rock singer who is galvanizing the populace. I saw the ending coming a mile away, so it is kind of predictable. Well written though.

And The Angels Sing, Kate Wilhelm

Kind of a first contact story. Small town newspaperman comes on a being stumbling around town. At first he takes it for one of the local girls, but when he gets her inside he realizes she isn’t a she. The story could be his ticket out. Very well written. I liked it.

Past Magic, Ian R. MacLeod

This story didn’t resonate with me. In a somewhat dystopian future, a rich person tries to hold on to her memories by re-creating her daughter. Told from the viewpoint of the ex-husband father. Not bad, but seemed old hat and I couldn’t get into the characters.

Bears Discover Fire, Terry Bisson

Just an awesome story. One day, bears do what man did tens of thousands of years ago. The bears discover fire. I love the mixture of the practical and absurd. This is begging to be made into a short film.

The All-Consuming, Lucius Shepard and Robert Frazier

Lucius Shepard seems to write stories that I either love or that just bore me. This is one of the boring ones. I can see where some folks will like this one, but the style just doesn’t suit my tastes. In this fantasy story, a rich person decides to grok the world by eating it. Our protagonist is a jungle guide type person who provides the rich guy with meals from a magical jungle, and they all begin to notice a change.

Personal Silence, Molly Gloss

This is one type of science fiction I really like, where the science fiction is integral to the story, but it’s presence is not overwhelming. A protester walks around the world engaging in a personal silence (i.e., not talking) to try to end an endless world war of some type. On the Olympic peninsula he runs into a young pre-teen who dreams a little precognitively. Really liked this one.

Invaders, John Kessel

So if you’ve read this blog for the last few months or some of my comments on other folks blogs, you’ve read me saying that I think the meaning of a story isn’t really up to the author. By that I meant that once released, the author gives up exclusive control over the interpretation. If he/she later says something about that book, I feel that readers may at that point decide for themselves whether to accept the additional input or not. Sometimes authors have changes of heart. Sometimes they were just chicken-shit when they wrote their book and didn’t want to say something. After a story has been released, the owner is the reader. The author only owns it until it’s released. That’s my story and I’m sticking to it. One way though for an author to have a lasting say is to do what John Kessel did in this story, and that I’ve never seen done elsewhere. He inserted little mini-essay like pieces on his literary intentions about Invaders into the text of the story itself. He broke the 4th wall, so to speak. Anyway, I kind of like it. And I really like that the aliens are just here for our cocaine.

The Cairene Purse, Michael Moorcock

Long and slow story about an engineer who travels to Egypt looking for his sister, who he has reason to believe has run into some trouble. It’s a degraded earth by the time of the story. And locals think the sister is into witchcraft or in league with aliens. I just didn’t care about the character. And the drawn out storytelling really put me off.

The Coon Rolled Down and Ruptured His Larinks, A Squeezed Novel by Mr. Skunk, Dafydd ab Hugh

Sometimes I think speculative fiction appears on a grand scale too much. Nation against nation, species against species, fighting for the survival of all that is known to man or alien. Dafydd ab Hugh’s story is small scale. After a genetic accident elevates animals, three of them set off on a quest to bring Progrets and Democrazy to one of man’s redoubts. Kind of hard to get in to the story, but it had a spark that I don’t often see in S.F.

Tower of Babylon, Ted Chiang

Another small scale fantasy story. Ted Chiang imagines the tower of Babel fable from the perspective of a miner digging through the vault of heaven after the tower’s been built to reach that high. I believe this won the Nebula, and for good reason.

The Death Artist, Alexander Jablokov

I only read seven or eight pages of this and moved on. One of those stories that jumps around and changes settings and doesn’t really tell you what’s going on. I don’t like being in a maze of mirrors.

The First Since Ancient Persia, John Brunner

Scientists conduct experiments on unsuspecting local population. New person stumbles on it all. Trouble follows. Not original. Not awful, but I felt like I could have missed this one and not really missed anything.

Inertia, Nancy Kress

Previous story was about biological manipulation. So’s this one, with a much more interesting idea behind it. Some sort of disease strikes humanity, disfiguring the infected with rope-like blemishes. It’s communicable, though it doesn’t seem to have any other apparent effects. Nevertheless, no one wants to catch it so those who have it are banished to internment camps, which become permanent. There’s a little of the Inside/Outside type of theme common to internment camp stories, but there’s also a lot more levels to this than there is in many short stories.

Learning to Be Me, Greg Egan

Damn fine story. The only story I’ve ever seen that tackles head on one of the implications of uploading oneself into a computer. What happens to the old copy? There’s a bit of David Marusek’s Wedding Album in this, as well as one I can’t remember the title of, where transporting one’s self across the universe instantaneously resulted in a very bad side effect of two copies of one’s self. The story fuses it all together in a fairly horrifying way. It’s also pretty clever too.

Cibola, Connie Willis

Didn’t like this one. A descendant of El Turco, a Native American guide for Coronado who led the Spanish explorer on a wild goose chase for Cibola, leads a Denver newspaper reporter on a wild goose chase for Cibola. Connie Willis led me on a wild goose chase for Cibola.

Walking the Moons, Jonathan Lethem

Virtual reality is not all it’s cracked up to be.

Rainmaker Cometh, Ian McDonald

I didn’t get this and I didn’t finish it.

Hot Sky, Robert Silverberg

Really liked this story about a future after global warming. Small scale story of a boat capturing an iceberg in the Pacific to tow it to San Francisco which like all cities in the story needs fresh water. The plot is fairly conventional. Another boat is in distress, forcing the captain to choose between helping the other boat and bringing fresh water to a city. I liked it because Silverberg put a lot of effort into the details of the story, which all fit together well.

White City, Lewis Shiner

I usually like Shiner stories (the couple that I’ve read). But this one was pretty emotionless. Although the story is supposedly about an emotionless man, I just don’t think that worked.

Love and Sex Among the Invertebrates, Pat Murphy

In a nominally post-apocalypse story, one of the last (dying) people alive is a robotics person. She creates a couple of robots to live on after her, with pseudo-sexual organs. It’s less prurient than the description makes it seem. Kind of on the weird side really. I didn’t get in to it, but I thought it was an interesting story nonetheless.

The Hemingway Hoax, Joe Haldeman

Huh. I must be missing something big here. I really liked this story up until the ending, and then I just got lost. Someday perhaps I’ll re-read it and I’ll get the ending and like it. The story has that sort of feel to it. Like pasta. Better after re-heating.

Title: The Year’s Best Science Fiction: Eighth Annual Collection
Editor: Gardner Dozois
Cover creator: Michael Whelan (artist)
Series: The Year’s Best Science Fiction; 8
Imprint / publisher: St. Martin’s Press
Format: Paperback
Length: xxxii, 624 p.
Publication date: 1991
ISBN-10: 0-312-06009-2

This edition of the Year’s Best S.F. seems very heavy with first-contact/gee-wow-there’s-life-where-we-least-expected-it stories. In the list below, I don’t reveal all of them, as in some cases it’s integral to not know about the life ahead of time. But still, be ready for almost any story in this collection to have that as a story element.

Oceanic, Greg Egan (1999 Hugo for best novella)

Greg Egan’s own description is:

The people of Covenant believe they are the descendants of immaterial “Angels” who were brought to the planet by the daughter of God to “repent their theft of immortality” and live and die as flesh once more.

Martin is a Freelander, raised on the ocean, and a personal experience as a child convinces him of the truth of this account. But when he becomes a biologist and begins to study the native life of Covenant, his work leads to revelations about the true history of the planet, and the nature of his own beliefs.

There wasn’t anything especially new or groundbreaking about the story. It’s a pretty typical attempt to explain how religious belief could spring up, and pretty typically sides on the side of rationality. It’s a well-crafted story though and works as such, even if the deeper exploration of religion is boring.

Approaching Perimelasma, Geoffrey A. Landis

I liked this story about a trip into and out of the event horizon of a black hole. The story requires the assumption that we’ve solved a bunch of problems with physics, but I suppose it’s plausible given the assumption. I don’t generally enjoy straight hard S.F. but this one I did for some reason.

Craphound, Cory Doctorow

This story is one of the reasons why I love S.F. so much. People think it’s all about aliens and space ships and laser guns and whatnot, and in reality it can be a way to explore people’s sense of home and of their childhood. It’s also on of the frustrating things about S.F. to me. This story spends all it’s time exploring someone’s attempt to possess part of their childhood, and throws the S.F. twist in at the end, and that twist really doesn’t add anything substantive to the story.

Jedella Ghost, Tanith Lee

Jedella Ghost is one of those stories that sits on the edge of fantasy and science fiction. A young woman appears in town and appears to know nothing about death. Where did she come from and why does the dying of things confuse her? Is it because she is already dead? A ghost?

Taklamakan, Bruce Sterling (1999 Hugo award for best novellette)

In the future, a couple of well-equipped freelance spies are commissioned by N.A.F.T.A. to check out a Taklamakan desert base which might have starships. But the death of their spook contact leaves them on their own. Enticed by the allure of the big score, they go on without him, unsure of what they will find.

The Island Of The Immortals, Ursula K. Le Guin

A tourist hears about an island that has immortal people in residence. Determined to see them for himself, he finds that one can become immortal by the bite of the flies on the island, but that everyone on the island keeps themselves covered in mosquito netting to avoid becoming immortal. Because not dying can be as much of a curse as a blessing.

Sea Change, With Monsters, Paul J. McAuley

Indira Dzurisin is a monster hunter on Europa. The colony wars with Earth, and loses decisively. Among other things, Earth released genetically engineered monsters into Europa’s anaerobic ocean under the ice, which keep its residents from using the ocean to their benefit. Years later and back under the subjugation of Earth, some of the monsters still live there, like undetonated mines. One of the monsters is threatening a virulently male-only monastery, and Indira (a woman) is sent to cleanse their farm of the monster as a joke on them. Nice mix of story, setting, and prognostication.

Divided By Infinity, Robert Charles Wilson

I didn’t like Wilson’s story particularly much. The premise is that some bookseller has a theory that people can’t die. The second they die, many alternate incarnations of their soul appear in other universes. But since you can’t communicated with them, and can’t know about them, there isn’t much point. The protagonist is resurrected in part 2 by aliens from his D.N.A. Maybe I’m just dumb but I didn’t get the connection between this and the first part.

US, Howard Waldrop

This is Run Lola Run as an S.F. short story. What would Charles Lindbergh Jr.’s life look like under a few different scenarios? One, he follows his father into flying. Two, he takes advantage of his fame in Hollywood. Three, he retreats to fish in western Washington. Oddly enough, at the time of publication, Howard Waldrop retreated to western Washington to fish. I can’t fault his taste in regions.

The Days Of Solomon Gursky, Ian McDonald

Eh. Solomon Gursky invents/discovers the methods for reincarnating as an employee of a conglomerate. Since he doesn’t quite agree with the conglomerate’s politics/ethics/whatever, they ice him. Thus begins a life of reincarnation and fighting the man. As the first person to be able to be reincarnated, he eventually becomes the man millions of years in the future, when humans are more than humans. Let me repeat, Eh.

The Cuckoo’s Boys, Robert Reed

Phillip Stevens is a genius geneticist and biotech company owner. He makes a billion dollars before he’s 26. But he goes a bit mad, and let’s loose a virus/bacteria that replaces the D.N.A. in human female’s eggs with his D.N.A. Thus a fair number of them give birth to kids not having their own genes, but those of Phillip Stevens instead. The P.S. kids are smarter than your average bear, and are treated very differently, owing partly to their genius, but also owing partly to how they were conceived. Houston Cross is a mentor (tutor) who works with middle school students. This is the story of the year he mentors his first three P.S. kids, and the ways he challenges them to be better than they are. Plus, there’s even a twist ending that I didn’t see coming. Though even without the twist the story would have been interesting.

The Halfway House At The Heart Of Darkness, William Browning Spencer

An addiction counselor who helps people addicted to virtual reality gets caught in a virtual reality where he helps addicts detox from virtual reality addiction. It’s not really as circular as it sounds, and it’s not another Matrix-like what is real? story. But it’s really only average at best. Weird thing is, this appears to be the last published story by Browning, though there is a collection of his short stories that was published in 2006. None of those stories appeared to be new though. Weird that he dropped out after this story.

The Very Pulse Of The Machine, Michael Swanwick (1999 Hugo award for best short story)

First contact story. Martha Kivelson is exploring Io when a freak accident kills her partner and strands her miles from the lander. With no backup and no radio she has to get back to the lander on her own, with barely enough oxygen to do so under the best of circumstances. And then she begins hearing a voice in her communications system…

Story Of Your Life, Ted Chiang (1999 Nebula award for best novellette)

This is a story for the linguistics geeks. It’s the story of the people who are trying to get the language down after first contact. Only the languages are very different. I’d love to see the universal translators on Star Trek handle these languages. Much more complicated than a Tolkien language.

Voivodoi, Liz Williams (blog)

Teresa’s brother Roman is the victim of a genetic illness from experiments gone wrong. He takes on the appearance of the vodyanoi. His family wants to commit him to a sanatorium, both for his good and for their reputation.

Saddlepoint: Roughneck, Stephen Baxter

How much volatile elements (e.g., carbon) are buried in the Earth’s mantle? The surface of Earth is covered in them. But the surface of the moon is not. After Earth’s surface freezes over, the people living on the moon get by with very little water, etc. Enough to survive, but not to grow. Where can they get these elements? Two options are crashing comets onto the surface of the moon and digging into the core of the moon. Because the moon is much smaller and cooler than Earth, it should be much easier to dig a deep core mine.

This Side Of Independence, Rob Chilson

Years in the future, mankind has spread throughout the solar system and basically lives on various habitats orbiting the sun. We cannibalize all the various planets to construct them. But now we need more material and all that is left is Earth, which is cooling off because all the habitats block the sunlight. Much like various people refused to move off Denny Hill leaving houses standing on very tall columns, some people refuse to leave Earth. But now it’s been 300 years since the last folks left and we run into one last bunch, in Independence Missouri. Discovered by the crew digging up Kansas, we gotta figure out what to do with the remaining people.

Unborn Again, Chris Lawson

This is a fun story of revenge. Basic plot is this: people in China come down with rare disease, disease is traced to a U.S. lab, investigator shows up to interview former head of lab, who promptly gives him a prepared written confession. As he reads it, he discovers why she did it.

Grist, Tony Daniel

Kind of surprised it took this many stories into the anthology, but I only read a couple pages of this novella before skipping on to the next story. Something about priests chatting, and the introduction by Dozois talked about how there are superpowerful beings. The conversation between the priests just seemed too obscure for me. I don’t like have to guess what the hell is going on. Some amount of mystery is fine. Trying to confuse me is another story though.

La Cenerentola, Gwyneth Jones

This one kind of went over my head. Thea Lalande and her wife Suze Bonner are spending time in Europe looking for a place for a summer home. They run into a woman who appears to have two twin children cloned from herself (in the perfect Paris Hilton mode) and one ugly stepchild. Except the perfect mother and twins fade away at times. Supposedly a retelling or a twist on Cinderella, I still didn’t get it, other than the pretty sisters ugly step-sister thing.

Down In The Dark, William Barton

Living on Titan with a few other technicians and scientists, Hoxha Maxwell helps maintain all the equipment. They’re stranded when an asteroid hits earth, obliterating all human life on the surface after an attempt to blow apart the rock with nuclear missiles only causes multiple fragments to crash across the globe. His wife dead and with only a remote chance of returning to the moon with the few hundred other people in space, there’s not a lot of point to living. And a few commit suicide. Maxwell, zombie-like, plods on. Enter Christie Meitner, who discovers something in the frozen landscape but won’t tell Maxwell what it is. While not exactly curious, he does have to maintain her equipment for his own sanity.

Free In Asveroth, Jim Grimsley

I loved this story! I think it’s mostly the atmosphere. On some planet, sentient creatures are enslaved by two-legged aliens that seem much like humans (it’s never said that they are). The indigenous life is rounded up and put in pens. Three escape, years after enslavement, and lead the subjugators on a merry chase across the countryside. See, they like to run, and leap. Huge distances in each jump. Story is told from the point of view of the non-humans.

The Dancing Floor, Cherry Wilder (Cherry Barbara Grimm)

Aliens visit various human places when few people are watching. Each time they build a platform of some sort, then perform a complicated dance on it, with only a few people around to witness it. Then they leave. Three such artifacts have been found prior to the story, which follows someone investigating the fourth.

The Summer Isles, Ian R. MacLeod (1999 World Fantasy award for best novella)

An alternate history story, posing the question What would happen if the Germans won World War I? Instead of the Germans paying crushing reparations under the Treaty of Versailles, it’s the British, and that prompts the loss of Empire. Resentment builds up, and a former soldier named John Arthur quickly rises to power and then dissolves Parliament and rules by decree. Soon the Jews, the homosexuals, gypsies, and other minorities are sent away to camps. In other words, Germany and Great Britain switch places in the lead-up to World War II. This would all be a boring story if that’s all though. Take a history of Germany and England and switch over the names. Luckily there is more. The story is told from the perspective of Geoffrey Brook, a former lover of the closet homosexual John Arthur, who has even more in his past. Brook has his own resentments toward Arthur, some personal, and some political. Can one megalomaniacal man like John Arthur really steer a country wrong, or does he merely lead where the people already are headed?

Title: The Year’s Best Science Fiction: Sixteenth Annual Collection
Editor: Gardner Dozois
Imprint / publisher: St. Martin’s Griffin / St. Martin’s Press
Format: Paperback
Publication date: 1999
Length: lix, 609 p.
ISBN-10: 0-312-20445-0