Dark Lover / J. R. Ward

Cover of Dark Lover
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A few months ago, I decided I wanted to try out a romance novel. Since then, I read Weddings Can Be Murder. I didn’t really like that too much, but it was good enough that I think there might be hope for me to find something in the genre I will like. So I will keep on trying occasionally.

My latest attempt is J. R. Ward’s Dark Lover, recommended by romance author Carolyn Jewel. If you read her post, she wasn’t sure a guy would like it, but I was willing to sacrifice myself in the interests of science. Ms. Jewel kindly sent along the first three books in the series.

The verdict? Meh. Not awful but not particularly inspiring either. Some of my problems are related to the paranormal part of the paranormal romance subgenre, and it being the first book in the series. Things I liked: the characters all participate in their own lives, the romance is attached to the plot (rather than the other way around). Things I didn’t like: changes to the vampire myths have to be explained, overly macho male characters, the pacing feels like a teenager’s first attempts at driving a stick shift, and the romance and sex are both too quickly consummated.

Beth Randall is the daughter of a vampire, but she doesn’t know it. Raised in an orphanage, she now works as a copy editor in the Caldwell, New York newspaper. Beth doesn’t really have any interest in men, instead throwing herself into her work. Her father Darius lives nearby, but doesn’t reveal himself to her. As a vampire prince, he’s a target of the vampires’ enemies, The Lessers (soulless converted humans), who murder him near the beginning of the novel. The vampire king Wrath fulfills his promise to Darius to help Beth through her transition (basically a quick but risky vampire puberty) should she need it, even though he doesn’t want to.

Wrath and Beth quickly fall in lust, have sex, and then each of them spends much time having second thoughts about the wisdom of the relationship. Meanwhile, the threat of the Lessors on the Black Dagger Brotherhood (the vampire race and Wrath’s personal Republican Guard), complicate matters.

Beth Randall is a pretty good character. Stands on her own feet. Smart. Works hard. Has her own opinions. The men, on the other hand, remind me of the drunken idiot rednecks I knew when I lived in Idaho, always challenging each other to fights, taking easy offense at slights, and pretending they are better than any woman ever lived.

One problem that might go away with later books in the series is the need to explain how Ward’s version of vampirism works. See, they don’t take wives. They’re shellans. And vampire women are only in hear every decade. And there’s a separation between vampire civilians (weak) and the Black Dagger Brotherhood. They don’t bite people; they bite other vampires for sustenance. All well and good, and nothing I have a problem with. I do get bothered by the fact that the narrative has to stop to explain all these things periodically. Fight! Sex! Drinking! Fight! Fight! As you know Bob, vampires are subjects of the goddess the Scribe Virgin. […] Fight! Sex! I’d hope that the need for these explanatory interludes would lessen in later books, as the background has already been revealed. In addition to other quirks, this makes the pacing very uneven. The level of plot movement looks like the graph of my grandfather’s heart after he had a heart attack.

But all of that I think I would be just fine with if the romance and sex were romantic and hot. But not really. The sex is mostly of the the chemical attraction so must insert penis/mount penis as fast as possible variety. Once it’s of the Oh my god I love you so much I must be very romantic and gentle with youvariety. The romance problem is that most of the interaction is overwhelming lust (ZOMG! Your hair is so luscious!) or navel-gazing worry about whether the character is doing the right thing. Very melodrama.

Since I have the next book in the series, I’ll probably read it to see if there’s an improvement because it did have some good points. But the bad and annoying definitely dominated.


Other blogged reviews:

Title: Dark Lover
Author: J. R. Ward (pseudonym for Jessica Bird)
Series: The Black Dagger Brotherhood; 1
Imprint / publisher: Signet Eclipse / Penguin
Format: Mass market paperback
Length: 393 p.
Publication date: September 2005
ISBN-13: 978-0-451-21695-3

Categories: Book Reviews.

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Five years!

A couple of days ago, Rat’s Reading celebrated its wood anniversary. I know! Obviously you can’t contain the excitement either!

Unlike previous years, I’m not going to write a reflection on the past year. Thank you to all the people who’ve read the blog. I enjoy writing it.

Five Years (Michael Ruiz)

In an effort to get my ass in gear on a project I put aside because real life intervened, I’m also announcing this blog’s demise. Yup, Rat’s Reading is going away. I’m not sure exactly when it will happen, but within a few months I’m going to shut the blog down.

At that point, a new blog will be born. I’m changing domain names and going with a very different look and feel. It will have actual graphics on it, as opposed to Rat’s Reading’s minimalist design. There may be a new feature or two. My cranky self will be embodied on every page. That won’t change.

There you have it.

Image Five Years by Michael Ruiz is licensed and used under a Creative Commons Attribution 2.0 license.

Categories: Administrivia (Site Announcements).

The Lifecycle of Software Objects / Ted Chiang

Cover of The Lifecycle of Software Objects

Ted Chiang writes only a few stories per year at best, but many of them win awards. I mention him to most anyone and the response ranges from admiration to out and out idolization. I’ve never heard anyone speak of disliking his stories. Often people openly idolize him. I will read any story of his. He’s really quite good.

The Lifecycle of Software Objects is his longest work yet, published as a standalone hardcover novella by Subterranean Press. It’s a gorgeous edition. Simple but evocative cover. The occasional interior illustration similar to the cover. The maps that precede each chapter are gorgeous. I should also mention that the type design and layout are among the cleanest I’ve ever seen. Very easy on the eyes for reading. They’ll likely be sold out of the book by the end of the month, and I have no idea if there are plans to print another run. If you are at all interested, go buy a copy now.

Chiang’s stories tend to be idea stories infused with realistic personalities, though not driven by them. The Lifecycle of Software Objects promotes the idea that artificial intelligence can only be created through the use of genetic programming algorithms with lots and lots of training. For those not familiar with the term, genetic programming is a kind of computer design that incorporates feedback loops into how it works. Standard programming figures out how something should be done and then programs the computer to do it. Genetic algorithms have the software start off at a reasonable point. After that the software will repeat what it does making small changes each time, getting feedback whether it’s successful or not. For example, the following video shows a robot learning how to flip pancakes with this kind of software.

In the novella, two employees of a software company that makes A.I.s for virtual worlds (e.g., Second Life) struggle with raising the programs they’ve adopted, called digients. At the beginning, they aren’t very bright. They get smarter through interaction with people in the virtual worlds, but at a pace that isn’t much faster than actual people. They aren’t exactly people though. They react differently. They have different motivations and constraints. And digients can’t really be let to run in their own virtual world by themselves. That’s essentially a closed system where they can’t really learn from each other. They need new experiences that can only come from interacting with real people.

So what does that life look like? From creation to adolescence (of a sort), the two employees raise the digients, dealing both with some expected pitfalls as well as interesting philosophical questions. For instance, when is an artificial intelligence ready to move out on its own?

One thing that’s really clear to me is that this story really benefits from Chiang’s involvement working in the software industry. The narrative is infused with little details (and key plot points) that would be extremely hard to write realistically without having 20 years experience in the field. Much like like A.I., stories written about A.I. work much much better when they incorporate actual software development experience. I don’t think I’ve ever seen fiction about the software development business be so spot on.

I’m still not quite sure where I’d rank this compared to other Ted Chiang stories. That’s partially because I have enough of a background in programming that the A.I. ideas as well as the philosophy isn’t particularly new to me. Chiang still makes me think, though. Irrespective of it’s place in the Chiang oeuvre, The Lifecycle of Software Objects deserves year’s best consideration.


Other blogged reviews:

Title: The Lifecycle of Software Objects
Author: Ted Chiang
Cover creator: Christian Pierce (artist) / Jacob McMurray (designer)
Imprint / publisher: Subterranean Press
Format: Hardcover
Length: 150 p.
Publication date: August 2010
ISBN-13: 978-1-59606-317-4

Categories: Book Reviews.

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Seattle Noir / Curt Colbert ed.

Cover of Seattle Noir
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I have a theory about why I didn’t enjoy this book as much as I enjoyed another entry in in Akashic Books noir series, Delhi Noir. Seattle Noir solid, but it didn’t grab me quite like the earlier anthology.

Theory: I have a lot of biased assumptions about Delhi that made the setting very foreboding. But being Seattle born and raised, I know this place much better and have a much harder time seeing its seedy underbelly. Oh, we have our problems. In its early days, Seattle could hold it’s own against any up and coming city. But today this is not a place where crime runs rampant, the cops are on the take, or organized crime takes a cut of everything.

In addition, with a few exceptions, the stories don’t mine the reputations and possibilities of the Seattle neighborhoods in which they’re set. Or they do use genteel areas which limit the crime possibilities to a fairly narrow set. Where’s Lake City, or Aurora, White Center, Rainier Valley? Conversely, a couple of the stories set in places I wouldn’t have expected to be so scary turned out to be quite good at imparting a dark mood.

Blood Tide by Thomas P. Hopp (Duwamish)
The anthology starts out in an area just south of downtown. The Duwamish river has been dredged and shaped into a shipping hub, surrounded by the medium heavy industries that like close proximity to easy international freight. The land once belonged to the Duwamish, a branch of the Salish tribe that inhabited the area when Europeans moved in. Unrecognized, the Duwamish dwindled in number without a reservation or a dedicated tribal government to keep them together. The tribe persevered even so. Hopp’s story interacts more with a few Duwamish members rather than the Duwamish area, which doesn’t have the distinctly Native American feel implied by the text. The crime is that of red tide poisoning, where someone has distilled the poisonous substances from the tide and used it to murder someone. The hero is Peyton McKean, a virologist of some sort. He stars in Hopp’s self-published novel The Jihad Virus. He has a journalist sidekick who comes running to write up McKean’s exploits in mutual symbiosis. While sufficiently noirish, it’s utterly predictable and clunkily written. Good for bringing some exposure to the Duwamish cause, however.
Promised Tulips by Bharti Kirchner (Wallingford)
Wallingford is not a neighborhood I would associate with dreaded crime. The essence of noir (I.M.H.O.), is the ominous knowledge that someone is going to get screwed, and that I both don’t want to watch and can’t help watching. A professional gardener who lives in Wallingford (this certainly fits the area) imagines what could have happened to her best friend who has disappeared, leaving behind a less than upset social climbing husband. The location is not dreadful, but it inspires a quietness that allows a person to think a lot, expanding worry into something huge. It’s all around a very good story.
Golden Gardens by Stephan Magcosta (Ballard)
This is another story that manages to be ominous despite the idyllic location. Magcosta uses Golden Gardens Park to set a tale of emotional revenge. The park’s beach isn’t remote, but it’s secluded from residences by the railroad and a steep bluff. Consequently, if you wanted to kill someone without being bothered by passersby, Golden Gardens wouldn’t be the worst place to do it. A Hispanic woman distraught over her soldier son’s death in Iraq wants to avenge him on the first convenient Middle Eastern looking person she can find, a cabbie. An ugly, inevitable end packs a lot of emotion. Recommended.
The Center of the Universe by Robert Lopresti (Fremont)
Fremont is yet another area that isn’t particularly seedy. It features a weird combination of left-wing free-thinking and good old crass American commercialism. Lopresti really nails the vibe of the neighborhood through the eyes of a somewhat mentally ill homeless person. He can’t always tell the difference between the true and the false already, and Fremont’s dichotomy doesn’t make things any easier. In the middle of this, our guy thinks he sees a girl get murdered, and the guys who did it to boot. Another recommended story.
Blue Sunday by Kathleen Alcalá (Central District)
Alcalá’s story doesn’t really work as noir for me. Someone’s gonna get screwed, but it happens right at the beginning so there’s little in the way of menace afterward. A couple of Iraq soldiers on leave party it up and get drunk when they run into a cop all to eager to suspect the worst of minorities. Alternates between scenes of the soldier recovering from his police encounter in the hospital and scenes of him handling Iraqis roughly. Well worth reading as a portrait of how racial bias fucks us up, and it’s an issue that comes up often in the Central District.
The Taskmasters by Simon Wood (Downtown)
The first of four stories where the person who’s going to get screwed is being set up to take a fall for the unscrupulous. A bar brawler gets taken in by an underground group called the Taskmasters, whose ostensible reason for existing is as a band of vigilantes, righting wrongs ignored by the police. They have one method: they decide someone is guilty and execute them. Sounds like a 70s T.V. movie plot. Predictable. Not a lot of downtown flavor. And I didn’t get a feeling of peril.
What Price Retribution? by Patricia Harrington (Capitol Hill)
A half mile from my place is a steep hillside that separates the Capitol Hill neighborhood from my Eastlake home base. Between Interstate 5 and the incline, there’s only a few streets connecting the areas, at the north and south end of this bluff. However, there’s a couple of stair climbs that lead from us to them, which pass under wooded branches so dense that it’s dark in the daytime during the height of summer. Among those trees is a homeless camp according to Harrington’s story. When a homeless guy gets the crap beat out of him, the Mayor of the camp, an erstwhile cop, sobers up enough to seek revenge on the drug dealer. This one is great, not so much because I wanted to see the dealer live, but because the revenge could get really bad. (Though why a big time dealer would try to sell to penniless homeless folks in the first place is a little fuzzy.)
Till Death Do Us … by Curt Colbert (Belltown)
The second story of set ‘em up to take a fall variety. 1940s Jake Rossiter stars as a P.I. who takes a bad domestic case because he needs the money. Coincidentally within minutes of each other, both sides of a divorce case hire Rossiter to prevent the other spouse from murdering them. A fun story, but not in a dreadful way.
The Best View In Town by Paul S. Piper (Leschi)
Piper’s story is the first of two commit a crime against someone close to you for the money entries in the book. Here a drunk loser brings home a girl, only to find out the girl’s grandfather grew up next door, where he supposedly stashed away valuables that the family never recovered. And she’s damned pissed the new owners seem to have maybe found them. Just a little too predictable. Good portrait of a loser though. I liked that.
The Wrong End Of A Gun by R. Barri Flowers (South Lake Union)
The third of the set ‘em up to take a fall stories, and by far the worst story in the collection. Dude wants to get with a girl just because she’s hot, despite hundreds of warning signs that would make even the most besotted 17 year old run. And he’s a veteran of divorce court, who’s world weary tone should give him a clue. Flowers uses some awfully trite physical descriptions too: Her complexion was like maple syrup over buttered waffles. A) Food descriptions of skin tone are tiresome. B) Maple syrup I can see as a skin tone. Smooth and brown. On top of buttered waffles? Have you ever looked at buttered waffles after pouring syrup on them? They are blotchy, greasy and pockmarked. This is not attractive. Tasty and delicious in a waffle, but not so much for a complexion.
Paper Son by Brian Thornton (Chinatown)
Thornton writes historical noir set in 1889, when Seattle wasn’t exactly welcoming to its Chinese immigrants. One of them washes up dead on Mercer Island, and a rookie Treasury Agent investigates. Triads and prostitution and drug running and multiple missing people! And I definitely didn’t see where the ending was … er … going to end.
The Magnolia Bluff by Skye Moody (Magnolia)
The second of the set up people you know for money stories. Circus clown midgets have a rivalry that spills into really good resentment when one of them makes it to Hollywood. Magnolia as a setting, although described accurately, didn’t lend itself to bad shit happening.
Sherlock’s Opera by Lou Kemp (Waterfront)
Moriarity’s adoring little brother Jacob lures Sherlock Holmes to Seattle to take his revenge on the sleuth. Why? Why?
Food for Thought by G. M. Ford (Pioneer Square)
The final story is the last of the set folks up to take a fall ones, though this one works out a little differently. But again, a broke P.I. takes a domestic muscle case that he’d rather not, because he needs the money. A short, enjoyable story that broke the mold of the previous three.

A few standout stories but overall not as good as I’d hoped.


One other blogged review:

Title: Seattle Noir
Editor: Curt Colbert
Cover creator: Jon Resh (designer)
Series: Akashic Noir
Imprint / publisher: Akashic Books
Format: Paperback
Length: 268 p.
Publication date: June 2009
ISBN-13: 978-1-933354-80-4

Categories: Book Reviews.

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Lightspeed Magazine August 2010

Lightspeed Magazine August 2010 (Daniele Scerra)

Three issues in a row read! And August is the best of them so far. One of the criticisms I’ve seen of Lightspeed is it’s failure to live up to its submission guidelines that says we encourage writers to take chances with their fiction and push the envelope. While I’ve liked both of the previous issues, none of the stories were particularly envelope pushing. Both of the original stories in this issue have a very different feel. I’m not up enough on current S.F. short stories to make a judgment (even for myself) whether or not these are truly taking chances, but they veer more that way than the rest of Lightspeed’s fare so far.

This time around I’m going to skip thoughts on the non-fiction pieces individually. Overall these pieces fail to carry their weight. And for the love of God, please change Carol Pinchevsky’s contract to have her produce something other than Top X lists of dubious entertainment value. This issue is pretty heavy on author profile/interviews as well, but without the depth needed in them to make them particularly interesting.

Like the cover art too.

All these items will be up at Lightspeed’s web site by the end of the month. I paid for my issue, so I get to read them a bit early.

How to Become a Mars Overlord by Catherynne M. Valente
This reads like an sales pitch for a meta-Mars get rich quick infomercial. There’s no story here, but lots of references to untold stories. I appreciate the new format, but since I’m kind of a story guy this one gets a thumbs down. I’m sure others would like it.
Patient Zero by Tananarive Due
Virus infects the world, told from the perspective of a kid in quarantine because he’s one of the first to get the disease, and the only one to survive it. Really likable character, and Ms. Due does a great job of telling about the outbreak through only hints that a kid could understand. No As you know Bob, in this story. Not getting told too much is what makes this.
Arvies by Adam-Troy Castro
This is a really creepy story. The premise is sometime in the future where people aren’t born. Through medical technology they remain fetuses, but experience life through nerve linkups with their arvies, or hosts, who have no legal existence and unstated sentience. They are human, of a sort. People get transplanted from one arvie to another in artificial wombs. It’s really hard to explain. Our main character decides she wants to do something that hasn’t been done before: give birth. Pretty good but very squicky.
More Than the Sum of His Parts by Joe Haldeman
This is the first story or book that I’ve previously read and reviewed on this blog (that I can remember at least. And looking back at what I wrote before, it still pretty much sums up what I think about it:
In some was this story was enjoyable and in others it wasn’t. The man goes mad due to technology theme is no different that The Invisible Man by H. G. Wells that I read over my Belize vacation. But for some reason the cyborg technology theme did draw me in. One thing that made that effective (where it wasn’t in The Invisible Man) was that you see the transformation from normal to power-mad. In Wells novel, the main character is mad prior to his introduction in the story.

Title: Lightspeed Magazine
Issue: August 2010 (#3)
Editors: John Joseph Adams (fiction) / Andrea Kail (non-fiction)
Cover: Daniele Scerra

Categories: Short Fiction Reviews.

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